Tony jaa
| Name | Panom Yeerum [Tony Jaa] | |||||||||||||||||||
| Nickname | Jaa | |||||||||||||||||||
| Date of birth | February 5, 1976 | |||||||||||||||||||
| Birth place | Baan Koksung Panomdongrak Surin province Thailand | |||||||||||||||||||
| Height | 172 cm. | |||||||||||||||||||
| Weight | 62 kg. | |||||||||||||||||||
| Education |
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Jackie chain  Jackie Chan, SBS, MBE [1] (born Chan Kong-sang, 陳港生; 7 April 1954) is a Hong Kong [2] actor, action choreographer, filmmaker, comedian, director, producer, martial artist, screenwriter, entrepreneur, singer and stunt performer. In his movies, he is known for his acrobatic fighting style, comic timing, use of improvised weapons, and innovative stunts. Jackie Chan has been acting since the 1970s and has appeared in over 100 films. Chan has received stars on the Hong Kong Avenue of Stars and the Hollywood Walk of Fame. As a cultural icon, Chan has been referenced in various pop songs, cartoons, and video games. Chan is also a Cantopop and Mandopop star, having released a number of albums and sung many of the theme songs for the films in which he has starred. Chinese name -成龍 (Traditional) Chinese name- 成龙 (Simplified) Pinyin Chéng Lóng (Mandarin) Jyutping Sing4 Lung4 (Cantonese) Birth name- Chan Kong-sang 陳港生 (Traditional) 陈港生 (Simplified) Chén Gǎngshēng (Mandarin) Can4 Gong2 Sang1 (Cantonese) Ancestry Linzi, Shandong, China Origin -Hong Kong Born -7 April 1954 (1954-04-07) (age 56) Victoria Peak, Hong Kong Other name(s)- 房仕龍 (Fong Si-lung) 元樓 (Yuen Lou) 大哥 (Big Brother) Occupation -Actor, martial artist, director, producer, screenwriter, action choreographer, singer Genre(s) -Cantopop,Mandopop Hong Kong English pop-J-pop Years active -1962–present Spouse(s)- Lin Feng-jiao (1982–present) Children -Jaycee Chan (born 1982) Parents- Charles and Lee-Lee Chan Influences -Bruce Lee,Buster Keaton,Harold Lloyd movies Project A around the world in 80 day's the mith Rust Hour1,2,3 others.......................... Bruce Lee  Actor, martial arts expert. Born Lee Jun Fan, on November 27, 1940, in San Francisco, California. His father, a Hong Kong opera singer, moved with his wife and three children to the United States in 1939; his fourth child, a son, was born while he was on tour in San Francisco. Lee’s mother called him “Bruce,” which means “strong one” in Gaelic. Young Bruce appeared in his first film at the age of three months, when he served as the stand-in for an American baby in Golden Gate Girl. In 1941, the Lees moved back to Hong Kong, then occupied by the Japanese. Apparently a natural in front of the camera, Bruce Lee appeared in roughly 20 films as a child actor, beginning in 1946. He also studied dance, once winning a cha-cha competition. As a teenager, he became a member of a Hong Kong street gang, and in 1953 began studying kung-fu to sharpen his fighting skills. In 1959, after Lee got into trouble with the police for fighting, his mother sent him back to the U.S. to live with family friends outside Seattle, Washington. Lee finished high school in Edison, Washington, and subsequently enrolled as a philosophy major at the University of Washington. He also got a job teaching the Wing Chun style of martial arts that he had learned in Hong Kong to his fellow students and others. Through his teaching, Lee met Linda Emery, whom he married in 1964. By that time, Lee had opened his own martial arts school in Seattle. He and Linda soon moved to California, where Lee opened two more schools in Los Angeles and Oakland. At his schools, Lee taught mostly a style he called Jeet Kune Do. Lee gained a measure of celebrity with his role in the television series The Green Hornet, which aired from 1966 to 1967. In the show, which was based on a 1930s radio program, the small, wiry Lee displayed his acrobatic and theatrical fighting style as the Hornet’s loyal sidekick, Kato. He went on to make guest appearances in such TV shows as Ironside and Longstreet, while his most notable role came in the 1969 film Marlowe, starring James Garner. Confronted with the dearth of meaty roles and the prevalence of stereotypes regarding actors of Asian heritage, Lee left Los Angeles for Hong Kong in 1971, with his wife and two children (Brandon, born in 1965, and Shannon, born in 1967). Back in the city where he had grown up, Lee signed a two-film contract. Fists of Fury was released in late 1971, featuring Lee as a vengeful fighter chasing the villains who had killed his kung-fu master. Combining his smooth Jeet Kune Do athleticism with the high-energy theatrics of his performance in The Green Hornet, Lee was the charismatic center of the film, which set new box office records in Hong Kong. Those records were broken by Lee’s next film, The Chinese Connection (1972), which, like Fists of Fury, received poor reviews from critics when they were released in the U.S. Jet Li  Name: Jet Li Born: 26 April 1963 (Age: 47) Where: Beijing, China Height: 5' 6" One of the world's biggest action stars, Jet Li Lian Jie was born on April 26, 1963 in the outskirts of Beijing, China in a town named Heibei. At a young age, he developed an interest in wu shu (the dominant martial art in Mainland China, favored by the government because it promotes movement rather than force) and enrolled in an academy. The school's teacher, Wu Ben, took an immediate interest to Li, seeing his natural talent. Over the years, Wu and Li would develop a father/son relationship, which was made all that much stronger since Li's own father died when he was two years old. Wu would often single out Li and give him extra tasks to do; Li at first felt bad about this, but in later years, he realized that Wu saw something in him and was only trying to bring it out. Li's skills developed quickly, and he eventually won many competitions and even performed in front of US president Richard Nixon at the White House as part of the Chinese/US cultural exchange during the 1970's. When Li was 19, he appeared in his first film, Shaolin Temple. Li was already regarded as a national hero for his athletic accomplishments, and the film (the first modern kung-fu movie made in China) shot him to superstardom in China. Fans flocked to various temples, hoping to imitate their hero. Li -- a quiet and shy man -- felt uncomfortable with his fame. He ventured into films with the idea of bringing interest of wu shu to the populace, not to become a star. Nevertheless, he continued to appear in a series of popular Shaolin films, such as Martial Arts of Shaolin (1986) and also directed a film, Born to Defence (also 1986). Wishing to find a wider audience for his work, Li moved to America and appeared in 1989's Dragon Fight. The film failed to find an audience, but Li seemed determined to stick it out. Eventually, he hooked up with noted producer/director Tsui Hark and the two -- using some of their own money -- created The Master in 1990. This time, the film (which had a miniscule budget and looked cheap even comapred to many US B-movies) didn't even reach a distributor; it was shelved until 1992. But Tsui and Li had formed a bond and Tsui convinced Li to come with him back to Hong Kong. It was with Tsui that Li found international stardom. 1991's Once Upon a Time in China, which had Li taking on the role of Chinese folk hero Wong Fei-Hung, was a huge hit and is now regarded as one of the best martial arts movies ever. The following two sequels were also very popular, so it was quite a surprise when Li quit the series. Rumors abounded of everything from money disputes to Triad "involvement." At any rate, Li moved away from Wong Fei-Hung -- at least temporarily. After Swordsman II (1993), Li starred in another movie about a Chinese folk hero, Fong Sai Yuk (also 1993). The movie was again a huge hit, but perhaps more importantly, this was the first time he worked with Corey Yuen Kwai. Yuen would go on to work in some capacity on almost all of Li's next films, either as director or fight co-ordinator. Li's next choice of a director to work with again puzzled many people. With Last Hero in China (1993), Li began a series of films that involved producer/director Wong Jing. Wong and Tsui Hark are quite the opposites in the HK film world; Tsui's films are known for being lavish, big-budget affairs with deep storylines, while Wong's (while equally popular with local audiences) are known for being cheap and full of sex, violence and crude humor. Many people (especially tabloid reporters) came up with many theories as to why Li worked with Wong. Some said it was due to Li's lingering resentment at Tsui; others surmised that Wong used Triad connections to "convince" Li to work with him. At any rate, Li's work during this period ranged from parody (Last Hero in China had Li once again playing Wong Fei-Hung, but for laughs, as in one scene where he dresses up in a rooster outfit) to romance (with 1994's The Bodyguard from Beijing, a HK remake of the Kevin Costner movie) to gun-fu action (such as 1995's High Risk, a movie "inspired" by Die Hard) and gained him a worldwide following of fans. In 1994, Li, Yuen Woo-Ping and rising director Gordon Chan worked on a remake of Bruce Lee's classic Fist of Fury. Li was a bit hesitant to work on the film. He was hounded by billings of him being the "next Bruce Lee" his whole cinematic life, and Li knew (and himself felt) that Lee was somewhat of a "cinematic God" all around the world. Li, Chan and Yuen worked closely together to create a movie that would both satisfy fans of Bruce Lee, fans of Jet Li, and also (like the original film did) bring in new fans. They decided to forgo much of the wire-fu (a style which makes people seem as if they are flying, shooting fireballs or other exaggerated movements by using hidden wires and other camera tricks) Li used in most of his recent work (a result of being injured on the set on Once Upon a Time in China) and stick with a harder, more realistic style that was closer to Bruce Lee's own work. The result was Li's biggest success in years and what many people consider to be his best movie ever, Fist of Legend. Despite the rumors about their relationship, Li went back to working with Tsui Hark with the Tsui-produced sci-fi/action extravaganza Black Mask in 1996. In 1997, Li once again stepped into the shoes of Wong Fei-Hung in the last movie in the OUATIC series, Once Upon a Time in China and America. After filming wrapped on Hitman (1998), Li was approached by American producers for the role of a villain in the latest installment of the popular Lethal Weapon series. Li, wanting to secure a steady future for his two children, took the offer -- as long as he was able to bring Corey Yuen over to direct his fight scenes. The film (despite lukewarm reviews) was a huge hit and successfully introduced Li to America. In fact, audiences responded so well to Li that his face and name were added to the film's poster after its' opening weekend. Like Jackie Chan before him, Li's initial US success led to a spate of re-releases of his older work. Unlike Chan, though, these films (for the most part) were released uncut, besides some title changes and re-dubbed soundtracks -- the US version of Once Upon a Time in China stands out as one of the best US video versions of a Hong Kong movie. In 2000, Li made his US starring debut with Romeo Must Die. While not a runaway success, RMD earned back three times its' budget and paved the way for future projects for Li, which may include an appearance in a sequel to The Matrix (which now seems unlikely since the producers only offered him US$3 million compared to his now-standard salary of $10 million) and a role as "Kato" in a remake of The Green Hornet. In 2001, Li struck at the US box office twice, with a film produced by La Femme Nikita director Luc Besson called Kiss of the Dragon, which premiered in the number four slot at the US box office (an impressive feat during the busy summer season) and garnered both critical and fan adulation, and The One which garnered Jet's biggest opening to date ($20 million) despite lukewarm reviews. | ||||||||||||||||||||
